“Working with Ian is a dream! He is able to take a few half-formed thoughts from our end and turn them into brilliant design that eloquently communicates the identity we aim to project. He has an amazing ability of knowing exactly what you need with only the slightest amount of information. He treats each project with the utmost attention and care and is always quick to respond to changes with an open and generous mind. We couldn’t imagine working with anyone else!”
A traveling educational exhibition about the history of Japanese graphic design history!
“Ian Lynam likes thinking about design as much as making it. Luckily for us, he also likes writing about it that much too. The payoff: he is amazing at all three.”
An essay in an inclusive new book about graphic design history.
New identity for one of NY's oldest pizzerias!
“As an artist, publisher, writer and designer, Ian seems to have had more than nine lives, and frankly it’s hard to keep up! He doesn’t just bring technical skills, but a depth of cultural understanding from the ground up — low, high, pop, fringe — that is invaluable to his varied clients. While other designers skim the shiny surface of current trends, Ian drills down with a solid understanding of history and meaning of the motifs, letter forms, and images he utilizes.”
“Ian is the best to work with. He went above and beyond what I needed with my project. Ian Lynam has really good eyes – the kind of eyeballs that can tell you just what you need for the right sparks to fly everywhere, including my and your clients eyeballs.”
The definitive book about Japanese graphic design history.
Art direction for W. David Marx and Roni Xu's book about the remnants of the Shōwa era.
“Working with Ian Lynam offers unparalleled creativity and client focus. Whether designing for a global search company or a university garden institution, Ian knows how to uncover clients’ often unstated needs, and then design something unique and compelling. Ian is a maker, an educator, and an inspiring person to work with.”
A design history feature for Idea!
A collection of essays about design.
Ten years after its initial release, we’ve debuted Vaud Pro, our completely redrawn and reengineered version of our type family Vaud.
“Lynam is a bitingly humorous writer – gifted with the intuition to give stories depth. This is no accident as he writes from experience – a reading pleasure!”
Ruth's Recipe, a custom display typeface for the originators of the chocolate chip cookie
“Lynam is a bitingly humorous writer – gifted with the intuition to give stories depth. This is no accident as he writes from experience – a reading pleasure!”
An overview of the career of the late musician, designer, illustrator and artist Rick Froberg of the bands Drive Like Jehu, Hot Snakes, Pitchfork, and Obits.
LP. CD, and cassette tape design for musician James Day Leavitt
Identities for twin businesses Goldrush Computing and Goldrush Studios
“Ian Lynam likes thinking about design as much as making it. Luckily for us, he also likes writing about it that much too. The payoff: he is amazing at all three.”
A new retro typeface set that combines the BMX-inspired aesthetics of the 1980s with the roaring 20s!
Elpy is a friendly rounded sans serif 22-member workhorse family inspired by all things music!
“Ian is everything I could ask for: a highly talented video creator, web designer, creative collaborator and consultant, all rolled into one guy with a great attitude! I’ve really enjoyed working together with Ian and applaud his stellar creativity, attention to detail, and flexible accommodation to tight timelines and collaborative revisions — thanks for the amazing work, and here’s to more!”
A family of new typefaces for the Mexican restaurant chain
Corporate identity for collaborative software corporation.
“Joyfully and skillfully straddling the line between creator and critic, theorist and practitioner, formalist and rebel, American and expatriate, serious analyst and humorous deconstructor, Ian Lynam always brings a wholly original perspective to his writing on design. The insights are always fresh, and the stakes are always extremely high.”
Naming, Positioning, Corporate Identity, Copywriting, Website UI/UX/Dev/Build, Packaging & POP for CBD gelato brand
The definitive book on the history of posters at CalArts
“When it came time to announce Firefox’s adoption of the @font-face rule, we needed someone to create an integration demo that straddled both innovative code and a nuanced working knowledge of typography. Ian was the obvious choice- his knowledge of typography applied to print and screen helped create a piece of design that functioned as a working how-to demo, a critique of webfont deployment in its nascent stages and a compelling piece of writing.”
An online library of English translations of key selected writings on contemporary art in Japan
“Joyfully and skillfully straddling the line between creator and critic, theorist and practitioner, formalist and rebel, American and expatriate, serious analyst and humorous deconstructor, Ian Lynam always brings a wholly original perspective to his writing on design. The insights are always fresh, and the stakes are always extremely high.”
The second installment of publications from Corinthians Press!
“Working with Ian Lynam offers unparalleled creativity and client focus. Whether designing for a global search company or a university garden institution, Ian knows how to uncover clients’ often unstated needs, and then design something unique and compelling. Ian is a maker, an educator, and an inspiring person to work with.”
A new international e-commerce website for the Japanese tenugui maker.
Our new Japanese/English dictionary for designers and artists!
Naming, branding, identity, and e-commerce for Portland's wine phenom!
“Ian Lynam’s fine simplicity and appreciation for white space draws the eye and the heart where it needs to go. His design work is striking because it avoids the most common trap of being gaudy or needing attention. It simply does what it sets out to do.”
Brand positioning, identity, messaging, website, and interior graphic design.
A 130-page bilingual English/Japanese book on pre-WW2 design history.
“Ian has the design skills I wish I had. His consistently creative designs come from an informed mind and relentless work ethic. I love working with him.”
An exhibition of graphic designers who write, research, teach, and practice criticism.
A website design for an exterior design firm and product manufacturer.
“Ian’s a sharpshooter. We had some identity issues that needed a pro and he took to heart our long-winded descriptions of all things we were trying to evoke. He returned with a thorough identity presentation that struck an exquisite balance of all that things that swirled around in our heads. It made us look in the mirror and think, “Yeah, thats who we are!”
A website for one of Japan's top craftspeople.
Custom type design for Valve's massively popular multiplayer game DOTA2.
“Ian instantly captivated the room when he came to speak with my design students at Portland State University. He was all of the elements that one would want in a presenter: thoughtful, funny, relevant, organized, passionate, articulate and relatable. Most of all, the entire room walked away with new knowledge. Score! PSU loves Ian!”
We created a custom version of our popular typeface families Cern and Cern Display for financial technology company Plaid.
The Impossibility of Silence is a 200+ page paperback for creative folks interested in approaching writing about their vocation and culture.
Identity for Asano Dental Clinic in Kaminoge, Setagaya in Tokyo.
“When it came time to announce Firefox’s adoption of the @font-face rule, we needed someone to create an integration demo that straddled both innovative code and a nuanced working knowledge of typography. Ian was the obvious choice- his knowledge of typography applied to print and screen helped create a piece of design that functioned as a working how-to demo, a critique of webfont deployment in its nascent stages and a compelling piece of writing.”
Branding and identity for AXES Partners, a multidisciplinary firm specializing in project management services throughout all of Japan.
The Future of Tradition: brand-building for a Japanese footwear startup
“Lynam is a bitingly humorous writer – gifted with the intuition to give stories depth. This is no accident as he writes from experience – a reading pleasure!”
Wordshape is our hybrid type foundry, publishing entity, distributor of the Japanese graphic design magazine IDEA /アイデア and related Japanese graphic design books, and software company.
A 52-page booklet by Ian Lynam that examines notions of authenticity via design, consumption, and history.
“Ever find yourself drawn to an image or sucked into an design article based purely on the form or content, then finding out later- after you go back to read the credit line- that a friend actually busted it out? That’s Ian.”
We co-edited and co-curated Slanted #35, an issue wholly devoted to LA.
The debut print journal from Néojaponisme — 128 pages of new content about retro Tokyo past and present.
Corporate identity, signage, and interior design for TUJ in Sangenjaya.
“Ian Lynam’s fine simplicity and appreciation for white space draws the eye and the heart where it needs to go. His design work is striking because it avoids the most common trap of being gaudy or needing attention. It simply does what it sets out to do.”
A zine about how to approach design critique from cultural and critical perspectives.
Collateral design for VCFA's MFA in Graphic Design Program
“As an artist, publisher, writer and designer, Ian seems to have had more than nine lives, and frankly it’s hard to keep up! He doesn’t just bring technical skills, but a depth of cultural understanding from the ground up — low, high, pop, fringe — that is invaluable to his varied clients. While other designers skim the shiny surface of current trends, Ian drills down with a solid understanding of history and meaning of the motifs, letter forms, and images he utilizes.”
Branding, positioning, marketing & identity initiatives for Vermont College of Fine Arts
A 400-page book of design theory edited by Ian Lynam.
“Joyfully and skillfully straddling the line between creator and critic, theorist and practitioner, formalist and rebel, American and expatriate, serious analyst and humorous deconstructor, Ian Lynam always brings a wholly original perspective to his writing on design. The insights are always fresh, and the stakes are always extremely high.”
An 88-page booklet that examines thorny aspects of design, designers, and design history.
A qualitative design research project commissioned by Adobe.
A 112-page booklet about overcoming “Creative Constipation™.”
“Ian has the design skills I wish I had. His consistently creative designs come from an informed mind and relentless work ethic. I love working with him.”
Ian Lynam is faculty at Temple University’s NASAD-accredited Japan Campus.
We have designed a wide range of custom typefaces for assorted companies—from display faces to text families.
“Ian Lynam’s fine simplicity and appreciation for white space draws the eye and the heart where it needs to go. His design work is striking because it avoids the most common trap of being gaudy or needing attention. It simply does what it sets out to do.”
We both edited and are featured in Slanted Magazine's latest issue devoted to graphic design in Tokyo.
We designed the identity for Canard, Portland's latest culinary phenomenon.
A book about the design of Japanese character culture.
“When it came time to announce Firefox’s adoption of the @font-face rule, we needed someone to create an integration demo that straddled both innovative code and a nuanced working knowledge of typography. Ian was the obvious choice- his knowledge of typography applied to print and screen helped create a piece of design that functioned as a working how-to demo, a critique of webfont deployment in its nascent stages and a compelling piece of writing.”
Biwa is a straight-sided family of formally nuanced grotesk typefaces for text typesetting and display work for both print and screen.
A handbook of dubious exercises, tips, and rants about becoming a designer who teaches... (But just as much a handbook for designers who happen to be being taught.)
“Ian is the best to work with. He went above and beyond what I needed with my project. Ian Lynam has really good eyes – the kind of eyeballs that can tell you just what you need for the right sparks to fly everywhere, including my and your clients eyeballs.”
A series of installations spanning sound, found objects, narrative, and type design.
99+1 is a book and responsive website for the Japanese National Tourism Organization.
We worked to define the identity of craft sake brand Kurokura.
“The best kept secret in Japan. Encyclopedic in his knowledge of typography and all things beautifully considered. There are few men in Tokyo — nay, the world — that care more about design and the creative process as does Ian Lynam. Oh, and he’s the nicest guy you’ll meet.”
Start Somewhere: A Handbook of Dubious Exercises, Tips and Rants About Becoming a Designer Who Writes is a zine to help designers grapple with generating their own content.
We designed the branding, signage and interior design for Temple University Japan's main building Azabu Hall.
“Ian’s a sharpshooter. We had some identity issues that needed a pro and he took to heart our long-winded descriptions of all things we were trying to evoke. He returned with a thorough identity presentation that struck an exquisite balance of all that things that swirled around in our heads. It made us look in the mirror and think, “Yeah, thats who we are!”
Curation, lecture, writing and editing for the legendary Czech series of exhibitions.
Interior graphics for software innovator Pivotal's Tokyo offices.
“Ian is an honest, simply-brilliant, graphic designer with skills and talent in abundance with the flexibility to adapt to meet and exceed a client’s need and did so each time we worked with him. He is a pleasure to collaborate with I would recommend him to anyone with confidence.”
An exhibition of writing, installation and sound in Tokyo.
Editorial direction and book design for Portland artist Bwana Spoons' first monograph.
A hybrid exhibition and essay-as-website exploring the role of graphic designers and design criticism in the world market economy.
“Working with Ian is a dream! He is able to take a few half-formed thoughts from our end and turn them into brilliant design that eloquently communicates the identity we aim to project. He has an amazing ability of knowing exactly what you need with only the slightest amount of information. He treats each project with the utmost attention and care and is always quick to respond to changes with an open and generous mind. We couldn’t imagine working with anyone else!”
Identity for Space Academy, an event space in Christchurch, New Zealand.
Ian Lynam regularly writes, designs, and edits features for IDEA / アイデア, Japan's oldest and most innovative graphic design magazine.
Writing for Slanted, the inimitable German magazine on typography and visual culture.
“Ian is always the first person I go to when need design help. Besides being an aesthetic genius, he is unrelenting in his commitment to portraying the right image for my brands. Top all of that off with a heavy dose of flexibility and professionalism and you end up with not only first-class designs, but an overall experience that ends up feeling more like fun than work.”
Type design for the North American supermarket chain.
Holistic identity design for a public arts initiative.
Ian went and wrote a book about graphic design. 78,209 words about it, but who's counting? It has a die-cut paper slipcover, a fabric paper-backed inner slipcover, and split fountain printing.
“Ever find yourself drawn to an image or sucked into an design article based purely on the form or content, then finding out later- after you go back to read the credit line- that a friend actually busted it out? That’s Ian.”
We designed the interior graphic design scheme for Google's Tokyo offices, as well as all wayfinding and signage.
A custom bilingual Japanese/English website highlighting Typekit's Asian webfont support.
Identity and environmental design for a Basque restaurant in the Daikanyama district of Tokyo.
“Ian Lynam likes thinking about design as much as making it. Luckily for us, he also likes writing about it that much too. The payoff: he is amazing at all three.”
Ian Lynam is former faculty and Chair/Co-Chair of the MFA in Graphic Design Program at Vermont College of Fine Arts.
Design and typography for Northwest Passage, a book and CD about independent music from Portland, Oregon.
“In all our collaborations, Ian has always brought a fresh perspective and boundless energy to the project. His encyclopedic knowledge of visual culture, ability to quickly work through multiple concepts, and deep Rolodex of talented friends, also give us the confidence to move beyond our first idea, towards a final product that will surprise and delight our clients.”
Type Sketcher is a trio of type design sketchbooks with modular grids for designing letterforms.
Identity and art direction for San Francisco swimwear company.
“Because Ian has the craft of design really down pat, he has moved on to other things like giving the client what they really want even if they don’t know what it is they want. This can not be understated, because as a designer myself I am looking to expand my projects with other peoples great ideas, and that takes having a farsighted partner like Ian. Besides actual graphics, Ian has helped steer Joshu+Vela branding, public image and even the naming of the company – for this I am grateful to have someone looking out for my best interests as well as his. I am continuing to count on Ian to steer my projects in a successful direction with all the twists and turns that come up.”
Product line book and DVD for Nike’s Asia Pacific region.
Modular 3D type design for the board game Konexi.
“Because Ian has the craft of design really down pat, he has moved on to other things like giving the client what they really want even if they don’t know what it is they want. This can not be understated, because as a designer myself I am looking to expand my projects with other peoples great ideas, and that takes having a farsighted partner like Ian. Besides actual graphics, Ian has helped steer Joshu+Vela branding, public image and even the naming of the company – for this I am grateful to have someone looking out for my best interests as well as his. I am continuing to count on Ian to steer my projects in a successful direction with all the twists and turns that come up.”
We created the branding and design consulting for the latest wing of the Nagasaki amusement park.
We created the interior graphic design scheme for YouTube's Tokyo offices and creative studio.
We created the identity for Topsy, the Apple-acquired search engine for Twitter.
“Working with Ian is a dream! He is able to take a few half-formed thoughts from our end and turn them into brilliant design that eloquently communicates the identity we aim to project. He has an amazing ability of knowing exactly what you need with only the slightest amount of information. He treats each project with the utmost attention and care and is always quick to respond to changes with an open and generous mind. We couldn’t imagine working with anyone else!”
Identity for the Wim Wenders and Kanji Nakajima film.
A set of 4 collaborative posters created with fellow designer Ed Fella.
We designed the identity for the iconic global design event series.
“Ian instantly captivated the room when he came to speak with my design students at Portland State University. He was all of the elements that one would want in a presenter: thoughtful, funny, relevant, organized, passionate, articulate and relatable. Most of all, the entire room walked away with new knowledge. Score! PSU loves Ian!”
We created the identity and advertising campaign for NASA and The Washington County Museum‘s 2012/2013 exhibition Hubble Space Telescope: New Views of the Universe.
Identities for two of Portland, Oregon's iconic restaurants.
An exhibition of international expressive typography curated by Ian Lynam.
“Ian is always the first person I go to when need design help. Besides being an aesthetic genius, he is unrelenting in his commitment to portraying the right image for my brands. Top all of that off with a heavy dose of flexibility and professionalism and you end up with not only first-class designs, but an overall experience that ends up feeling more like fun than work.”
Assisting the Los Angeles Country Museum of Art define their vision for curating a collection of Japanese Graphic Design.
Our plug-in for Adobe Illustrator which adds 13 new tools to Illustrator's tool palette.
A set of ten tour guides of the Kanto region, each by a prominent foreign member of the Tokyo community for Shibaura House.
“Because Ian has the craft of design really down pat, he has moved on to other things like giving the client what they really want even if they don’t know what it is they want. This can not be understated, because as a designer myself I am looking to expand my projects with other peoples great ideas, and that takes having a farsighted partner like Ian. Besides actual graphics, Ian has helped steer Joshu+Vela branding, public image and even the naming of the company – for this I am grateful to have someone looking out for my best interests as well as his. I am continuing to count on Ian to steer my projects in a successful direction with all the twists and turns that come up.”
Identity design for the San Francisco bag and accessory company Joshu + Vela.
A 96-page feature about CalArts' Graphic Design Department for IDEA.
Identity is our ethos―the fundamental character of a culture, individual, business or community.
“Joyfully and skillfully straddling the line between creator and critic, theorist and practitioner, formalist and rebel, American and expatriate, serious analyst and humorous deconstructor, Ian Lynam always brings a wholly original perspective to his writing on design. The insights are always fresh, and the stakes are always extremely high.”
We created a decorative, highly tactile print identity for the amazing Portland, Oregon photographer Bitna Chung.
Identity for the director behind the opening sequence for the TV show True Blood.
“Ian is the best to work with. He went above and beyond what I needed with my project. Ian Lynam has really good eyes – the kind of eyeballs that can tell you just what you need for the right sparks to fly everywhere, including my and your clients eyeballs.”