01.22.2014

ALEX PINES

DC/LA hardcore enthusiast and graphic designer Alex Pines will be lecturing in my Graphic Design 2 class at Temple University Japan on February 6th at noon. You are invited!

01.16.2014

A couple of interlinked Graphic Design II and III projects from the upcoming semester at Temple University Japan:

KARMA CHAMELEON

Reading: In Defense of the Poor Image by Hito Steyerl
Reading: DDDDoomed by R. Gerald Nelson
Reading/research: trendlist.org

The proliferation of Pinterest has shown that the aggregation of others’ imagery is a striking component of contemporary culture. Simultaneously, contemporary Graphic Design has taken on aggressively reductive, repetitive tendencies.

Collect 20 images from the internet, treat in Photoshop using halftones and linescreens, give your collection a title, then design an image-driven A5 booklet using solely the stylistic tropes from trendlist.org.

Print your booklet with a 4-color cover and 1-color interiors.

CHROMA BOHEMIAN

Reading: The Global Style by Mr. Keedy

Write 500 critical words on the reading in prose form expressing your opinions, then using the raw material from your Karma Chameleon booklet, design an expressive image-driven A5 booklet in your own style. Print your booklet with a 4-color cover and 1-color interiors.

01.03.2014

We wrote up our best of 2013 bits over at Néojaponisme a few days ago. See them here.

Also, Typodarium 2014 was just released – Slanted’s font-a-day tear-off calendar. Ed Benguiat, Luc(as) de Groot, Veronika Burian and I served as this year’s panel of judges, selecting our favorite fonts of the year for inclusion.

You can pick it up here.

12.26.2013

I wrote up a “Best of” Japanese typography for 2013 for PingMag a few weeks ago – you can see it here.

12.15.2013

I will be joining the MeMe Design School in Tokyo as an instructor for 2014.

On Saturday, January 18, there will be one-night exhibition of a collaborative 4-poster set by graphic designers Ian Lynam and Ed Fella in Tokyo at 35minutesmen in Arai Yakushi.

Printed in an edition of 100 each, the set of posters will be given away to the first 100 visitors to the exhibition.

Posters and flyers by Fella and Lynam from the 1990s through today will be on exhibit.

Access:
Kamitakada 5-47-8, Nakano-ku, Tokyo
(Arai Yakushi Station on the Seibu Shinjuku Line)
35minutesmen.com
Saturday January 18, 2014
6pm – 9pm

More details on the Facebook Event page.

11.29.2013

Slanted’s 22nd issue is out now.

The theme of the issue is “Art Type” – exploring typography at the edge of art, or art at the edge of typography.

I wrote an essay about Jiwon Lee, an amazing Korean graphic/type designer, design writer, design critic and design educator working in Seoul.

Also in this issue is the first piece of writing in a while from CalArts faculty, type designer, and essayist Mr. Keedy. I am really excited to read what he has written for this issue of Slanted.

Graphic designer and CalArts faculty Michael Worthington is interviewed within.

As is CalArts retired faculty and exit-level designer Ed Fella.

I am excited about this issue as it highlights the work and writing of some of my immediate influences from graduate school and professional practice. Lee, Keedy, Worthington, and Fella have all contributed greatly to how I work, how I think about work, how I write, and how I practice. It’s excellent to be in such great company.

11.26.2013

Japanese Modernism exhibition by Ian Lynam

While at VCFA in October, I curated a micro-exhibition of books and printed ephemera that charted the development of Japanese Modernist Graphic Design called Japanese Modernism Unearthed that accompanied my lecture The Winners and Losers of History: The Emergence of Graphic Design in Japan.

This tabletop exhibition was a project in providing a tactile analogue to a lecture, allowing students to handle the materials (without gloves!) and to make observations about the material discussed outside of how it was editorially framed in the lecture.

The media included:

Elementary English Course
W.E.L. Sweet
This 1910 book was printed by Japan’s first type foundry, and is an example of the high quality of typography provided by the Tsukiji Type Foundry, the brainchild of Shōzō Motoki. Shōzō developed Japan’s first sustainable system of moveable type technology for printing (and Japan’s first typography school) in 1869, with the assistance of the Irish American missionary William Gamble in Nagasaki.

Geometry
Matsumoto Takashi
A geometry text book with a stunning two-color title page circa 1926. This book is proof that Japanese graphic designers and typographers had a thorough early understanding of Classical title page composition and localized the form with exceeding results.

高等小學 毛筆畫手本 男生用 第三學年 / Koutou Shougaku Mouhitsuga Tehon Dansei You Dai san Gakunen
文部省 (Ministry of Education)
A lovely annotated manual of illustration which shows the rigor expected of budding illustrators in 1905. Some images are traced and others are broken into perspective grids by the previous owner, most likely a boy aged 10 to 14.

寳塚 少女歌劇脚本集 / Takarazuka Revue Playbook
宝塚歌劇団 (Takarazuka Revue)
A look at the “Moga” / Modern Girl aesthetic from a 1932 magazine for the famous Takurazaka Revue and Theater School in Hyōgo Prefecture, noted for it’s all-female casts women of that time. The Playbook features unique lettering throughout, images of women and women’s fashion from that era of feminization in Japan, and a beautiful, if off-kilter cover illustration.

テァトロ / La Teatro
An immediate post-World War II theater magazine published in Tokyo that shows the vertical orthographic form that Japanese typesetting took in 1948. Wonderful cover lettering that shows the post-War turn toward showcard-influenced lettering.

現代商業美術全集 / The Complete Commercial Artist
Sugiura Hisui, editor
Published from 1927 to 1930, this was one of Japan’s most important graphic design publication at that time, providing commercial art and design in all its forms from both Japan and the world. Foreign and domestic application of design trends and theories were catalogued within. One cannot fathom how important this journal was to Japanese graphic designers, as it brought the world to their local bookshop.

中學圖畫 / Art Text for Middle School
美育振興會 (Government Publishing House)
Chugaku Zuga is a fine art textbook from 1931. It is notable for its last page, introducing lettering and commercial art to students via lavish bilingual lettering.

三河國 國寶社噐械製絲
Mikawa Silk Manufacturing
A label for a package of raw silk from approximately 1890. The silk was manufactured in Mikawa no Kuni (Mikawa Province)—a now-defunct area that comprises the eastern half of Aichi prefecture.

伊呂波引紋帳大全 / Irohahikimonchoudaizen
Wada Shōzō
1885 manual of “kamon” / 家紋, traditional family crests, acceptable ornament, and usual application to Japanese clothing of that time.

洋酒まめ天国 / A piece of liquor heaven
Yanagihara Ryohei, editor, designer
Suntory’s house ‘style guide’ for the swinging gentleman of the mid-to-late 1950s and 1960s. Yoshu Mame Tengoku featured sexploitative illustrative covers by Yanagihara himself, as well as racy nude photography and explicit sexual illustration (with j-u-s-t the right amount of detail left out to not enrage censors) by Yokoo Tadanori to illustrate the bawdy tales within.

横尾忠則 / The Complete Yokoo Tadanori
横尾忠則 / Yokoo Tadanori, editor, designer
A collection of Yokoo’s work up until 1978, immediately prior to his near-death experience and decision to stop producing graphic design for much of the 1980s. This book is notable because it was edited and designed by Yokoo himself and bears traces of the darkness, vanity and egoism that permeates so much of his work. It is a beautifully, lovingly designed book and an amazing work that sums up the best of Yokoo’s career from the mid 1960s.

商業デザイン全集 / The World’s Commercial Art
Aai Sen, Hara Hiromu, Hijikata Teiichi, Imatake Shichiro, Katsumi Masaru, Kamekura Yusaku, Kono Takashi, Koike Shinji, Takiguchi Shuzo, Yamana Ayao; editorial board
Within Shogyo Design Zenshu, foreign work and domestic Japanese design work were placed side-by-side, creating a literal in-step reference for how Japanese design fit into the global continuum. This is a collection of the first four issues from 1952 through 1954, published in 1955.

造型思考ノート / (literally, Notes on Making and Looking) / Thinking Eye
Awazu Kiyoshi
This 1974 book is a loose design theory book by Modern master Awazu Kiyoshi, one of the founders of the Metabolist movement of graphic design and architecture—a post-war Japanese architectural movement that fused ideas about architectural megastructures with those of organic biological growth. Awazu is notable for his persistent leftist/Labor-oriented political leanings throughout his career.

カメラ / Camera #7
A notable 1939 photography magazine that exhorted readers to investigate both photojournalism and Moholy-Nagy-style “typo-photo”. Camera is notable for its display lettering in advertisements and “slice of life” examinations of the upper class following the explosion of photography as a leisure pursuit in Japan.

のらくろ伍長 / Corporal Norakuro
Takamizawa Michinao
Literally “Corporal Blackie the Stray Dog”, Norakuro is the tale of an amiable, aloof and earnest stray dog who attempts to pitch in to support his country by joining the Fierce Dogs Brigade, a stand-in for the Japanese Army. This lavishly designed 1969 reprint of a 1933 volume. Norakuro’s creator, Takamizawa Michinao, was a member of the revolutionary avant garde art/design/architecture group MAVO in the early 1920s, a little-discussed link between proletarian graphic design and the then-nascent form of manga. Interestingly, despite widespread appeal and the nationalistic message the manga conveys, Norakuro’s production was forcibly ceased in 1941, immediately pre-war, due to it’s message being “frivolous” by the Press Unit of the Army of Japan. The importance of this manga cannot be understated, as it was the main influence on Tezuka Osamu, “The Father of Manga”, in his childhood, and what pushed him to be a manga cartoonist.

11.19.2013

We just had two more amazing lectures in my design class at Temple University Japan to round out the Visual Playlist theme for the class this semester.

Cameron McKean, editor of Too Much Magazine, lectured on utopian/dystopian communities and architecture, the rise of Brutalism in Graphic Design and Architecture, and the development of contemporary design aesthetics.

It was a rousing lecture that touched on Father Yod, 032c, Purple, cults, and so much more.

Noel Callan of TUJ/Debt Maggots/Anti-Whales gave a rousing lecture on the intersection of Phenomenology and Graphic Design through music packaging and the sensory pitfalls of Big Data.

Noel’s amazing presentation included this gem of a quotable, “In our lives, our experience of ourselves is more akin to a song than to an image”, echoing Husserl’s ideas of ‘now’ being comprised of the present, as well as memory and the assumed future.

An immense round of thanks to Cameron, Noel and Taro Nettleton for presenting amazing lectures to the class – it made for a really unique semester for myself and the students!

11.14.2013

Wit and Design

An extensive range of our work is featured in the new book Wit and Design by GooRyong Kang, published by G Colon in Korea.

GooRyong Kang's Wit and Design

The book also features a lengthy interview with me, and a handsomely shot portrait photo by Mr. Patrick Tsai. I should note, the book is all in Korean, and in case you weren’t sure, my name in Korean transliterates to 이안 라이넘.

11.12.2013

World Atlas of StreetArt and Graffiti

I wrote an essay about Tokyo graffiti in the new book, The World Atlas of Street Art and Graffiti, published by Quarto and Yale University Press.

10.22.2013

제14회 국민대학교 조형전, 조형콘퍼런스 'IM' 페이지입니다.

I will be speaking at the 14th Chohyung Exhibition and Conference (제14회 국민대학교 조형전, 조형콘퍼런스 ‘IM’ 페이지입니다) in Seoul on November 8th and 9th. I will be speaking about Timelessness versus Timeliness in Graphic Design for one lecture, and about the Emergence of Japanese Graphic Design for the second. If you are in Seoul, please do come join us!

Other speakers include Mr. Keedy from CalArts, Chris Ro from Kookmin and Hongik Universities, and many other academics and designers across multiple media from the U.S., Japan, Korea, and elsewhere!

More on Facebook.

제14회 국민대학교 조형전, 조형콘퍼런스 ‘IM’ 페이지입니다.
The 14th Chohyung Exhibition and Conference
전시 : 11월 8일~17일

The official description:
전시: 11월 8일~17일
콘퍼런스: 11월 8일~10일
국민대학교 조형대학

Exhibition: Friday, November 8th – Sunday November 17th
Conference: Friday, November 8th – Sunday November 10th
College of Design, Kookmin University

국민대학교 조형전, 조형콘퍼런스는 우리 시대의 디자인과 디자인 교육을 얘기하고자 합니다. 이성적이면서 직관적인, 전문적이지만 모두가 공유하는, 눈에 띄지 않지만 어디에나 존재하는 디자인을 끌어내어 얘기하고자 합니다. 문화와 산업에 긴밀하게 얽힌 사회활동으로서의 디자인은 어떤 개인이나 집단의 독단적인 생각으로 형성될 수 없습니다. 디자인에 대해 말하고자 한다면 먼저 주변과 동료를 진지하게 살피는 것이 우선입니다. 그래서 우리는 조형전, 조형콘퍼런스를 주목해야 합니다. 이곳에 모이는 국내외 디자이너, 교육자, 비평가, 학생은 서로를 바라보고 얘기함으로써 현재 디자인 사회의 모습을 나눌 것입니다. 한국 디자인 사회의 가장 생생한 현장을 목격하세요.

We are here to share ideas about design and design education of our time at the Chohyung Exhibition and Conference. We are to share a discourse about our area which is logical and intuitive, professional and public, transparent and omnipresent. Design as a social study and activity cannot be built by a dogmatic idea by individuals. To truly understand this area, we must look around our colleagues. Come and join this pleasant event in Kookmin University, Seoul. Witness the most vivid moment of our peer community.

Nodai Lab

On an unrelated note, we have been busy extending the identity for Tokyo NODAI‘s (National University of Agriculture) Center for International Japanese Garden Studies’ assorted departments and research initiatives.

10.03.2013

TUJ Graphic Design Glow Spatial Hierarchy project

We tried a new project the other day in my Graphic Design 2 class at Temple University Japan, and I’m excited about the process and results.

Computer Imaging II at TUJ

I asked the students to create geometric form using glow-in-the-dark iron-on material and then apply the material to black tee shirts.

TUJ Glow

We then put on our tee shirts and examined different spatial hierarchies by composing ourselves as the design elements in the windowless 3D design studio with the lights off.

Each class member took a turn directing, and once a composition was created (in essence, designed and choreographed), it was documented by the directing individual using a digital camera with a wide aperture and slow shutter speed.

In general, it was a really fun experiential group project that allowed each student to design without using the computer while still using fairly complex form.

10.03.2013

VCFA Thesis Show

The inaugural graduating class of the VCFA MFA Graphic Design program will be exhibiting their Thesis Show from October 14-19 at VCFA.
It’s a really exciting thing—to work with these amazing folks. I’m really proud of each and every one of them. Each has sweated blood to bring his or her thesis to life, and I am amped to be with them during their thesis presentations and to be with them as they graduate.
See more:
http://trust.vcfa.edu/

09.29.2013

An expanded version of my essay “Japanese Graphic Design: Not in Production” was just published over at Modes of Criticism.

09.21.2013

Ian Lynam X D. V. D'Andrea

A new poster for the Fall Into Darkness festival in Portland featuring Nik Turner’s Space Ritual (ex-Hawkwind) and many others. The poster is a collaboration with David D’Andrea, my old rooomate and good friend. Borne out of a mutual love for the work of Hawkwind designer Barney Bubbles, we dreamed up this collaboration, screened in multiple colors on black paper in homage to the late, ever-great Mr. Colin Fulcher.

09.17.2013

Essayist, critic, translator, zine editor and educator Taro Nettleton will be giving a lecture in my design class at Temple University today at noon in Room 507 in Azabu Hall. The lecture is open to the public. Nettleton will be lecturing on the theme of “The Visual Playlist” – presenting an image-based mixtape of album covers which have helped shape contemporary visual culture.

09.14.2013

We got a sweet little writeup in the CalArts blog today.

09.06.2013

David Matthew Davis and Thea Lorentzen designed these amazing ten-color silkscreened posters for Kiyonori Muroga and my recent trip to CalArts for our Idea Magazine workshop and lecture  at the school.

Thank you, guys!!!

08.29.2013

The Letterfirm exhibition opening went off amazingly well. Over 250 folks stopped in to check out the work, have a few drinks and bob their heads to the amazing sounds of DJ E*Rock.

Thanks to the TypeCon team for inviting us to have the exhibition and mega-thanks to Reading Frenzy for making it happen!

All photos by Bitna Chung Photography.

08.11.2013

The latest issue of Idea Magazine – #360 – is out now. It features a 96-page feature that I edited, designed and wrote big chunks of.

For a week, Idea Editor-in-Chief Kiyonori Muroga and I stayed in Valencia, the home of CalArts, to “work on a design research/writing/making/collecting/documenting project about CalArts itself, it’s history, it’s current state, ephemera, and researching in a very open way”, making CalArts both the laboratory and the subject.

The result is an image-rich look at the past few generations of CalArts alumni, the work of faculty and related projects.

Included is work by Ed Fella, Lorraine Wild, Mr. Keedy, Caryn Aono, Scott Zukowski, Silas Munro, Tasheka Arceneaux-Sutton, Mark Kulakoff, Corey Holms, Jon Sueda, Geoff McFetridge, Megan McGinley, Max Erdenberger, Brian Roettinger, Scott Massey, Andrea Tinnes, Tim Belonax, John Wiese, Jae Hyouk-Sung, Micah Hahn, Michael Worthington, Gail Swanlund, Louise Sandhaus, and many, many others.

The feature is crammed to the gills with bilingual essays and interviews.

You can pick up a copy here.

07.27.2013

The Letterfirm Reader

I’ve put together a 44-page booklet of recent graphic design and typography-related writing for the upcoming Letterfirm exhibition at TypeCon. The booklet, printed with loving care by Portland’s amazing Eberhardt Press, will be available at the exhibition opening and will be distributed for free to all TypeCon attendees in their burgeoning goodie bags.

07.24.2013

Slanted Magazine

I have a feature in the new issue of Slanted Magazine that was published for the Babylon type conference.

It’s a bit different than the usual stuff I do for Slanted – no design criticism, design history or overt essay this time. The piece is a documentation of a speculative science fiction film that I have been making.

This issue of Slanted will not be distributed internationally on newsstands as it is for a type conference in Thailand, but you can order a copy here.

07.22.2013

Wordshape type foundry at Creative Market

Our type foundry Wordshape is now offering all of our fonts over at Creative Market.

07.15.2013

A nice sample of our typeface family Vaud in use by the awesome Hugo Roussel at Studio Punkat for le maison de Jean Prouvé in Nancy.

07.11.2013

India Type Foundry

We’re very pleased to announce that we’ve partnered with Indian Type Foundry, offering our foundry Wordshape’s digital typefaces to Indian customers from ITF’s website. Satya Rajpurohit, ITF’s principal, is a great individual, amazing designer and a hard worker. We’re really looking forward to working together!

06.25.2013

While no one was looking, we have snuck out our new identity.

In lieu of a solitary logo, we have crafted a collection of characters derived from assorted symbologies and syllabaries that functions as a modular logo family.

The treatment was extended in our print collateral, in conjunction with an extended set of graphic form.

06.22.2013

letterfirm exhibition

In association with TypeCon, I am curating Letterfirm, an exhibition of international expressive typography, that will be held at Reading Frenzy in Portland in their new space.

The details:
August 20 – September 18
OPENING RECEPTION: August 20
Reading Frenzy
3628 N. Mississippi
Portland, Oregon 97227
readingfrenzy.com

The participants:
Aaron Winters (Sacramento)
Gail Swanlund (Los Angeles)
Chris Ro (Seoul)
Thomas Kracauer (Los Angeles)
Thea Lorentzen (Los Angeles)
Scott Massey (Los Angeles)
Jiwon Lee (Seoul)
Masato Nakada (Los Angeles)
Sarah Gottesdiener (Los Angeles)
Yasmin Gibson (Los Angeles)
Ed Fella (Los Angeles)
Silas Munro (Miami)
Ian Lynam (Tokyo)
Michael Worthington (Los Angeles)
Jae-Hyouk Sung (Seoul)
Benjamin Woodlock (Los Angeles)
David Matthew Davis (Tokyo)
Troy Patterson (York)
Kat Catmur (Los Angeles)
Hiyoshi Inumaru (Tokyo)
Alex Pines (Los Angeles)
Everything Type Company (Kyle Blue & Geoff Halber) (New York)
Mylinh Trieu Nguyen (Miami)

06.12.2013

letterseed korean typography journal

I have a new essay in Letterseed 201306, the journal of the Korean Society of Typography called “Work In Progress” about the transitory nature of design research, the proliferation of retrograde aesthetics and the cult of the Risograph.

This issue of Letterseed includes other writing by Ahn Sang-soo, Chris Ro, David Cabianca, Jae-joon Hahn, Hyun Cho, Jiwon Lee and others.

06.11.2013

Cern fonts

Our new typeface family Cern is now available via YouWorkForThem – on sale for the next month – 40 typefaces for $49!

06.10.2013

I organized an exhibition at VCFA called “Plenty For All: Recent Work from CalArts” in April. The exhibition consisted of printed matter and posters from CalArts including both printed posters from the past few years and the printed booklets and ephemera that comprised the results of my and Kiyonori Muroga’s recent workshop with the BFA4 and MFA students at CalArts.

Recent work from CalArts at VCFA

The exhibition was very well-received. The students, faculty, administration and general public truly enjoyed the exhibition.

Plenty For All: Recent work from CalArts at VCFA

Exhibition participants:

MFA2: Izaak Berenson  Nate Blowers   Kat Dickinson  Christine Do   Amanda Gartman   Stefano Giustiniani   Sarah Faith Gottesdiener   Tom Kracauer   Catherine Lee   Thea Lorentzen   Alex Pines   Tara Tannenbaum   Ben Woodlock

Plenty For All: Recent work from CalArts at VCFA

MFA1: Edwin Alvarenga  Kat Catmur  SoYun Cho  Colomba Cruz  Ryan Hines  Juyoung Kim  David Robinson  Calvin Rye  Sajad Salehi  Sarah Shoemake

Plenty For All: Recent work from CalArts at VCFA

PMFA: Cassandra Cisneros  Jacob Halpern  Sarah Honeth  Jessica Kao  Dili Osuhor  Jenny Song

Plenty For All: Recent work from CalArts at VCFA

BFA4: Pierre Nguyen Sally Alvarado Dasom Kim Jenee Jernigan Dawoon Jeung  Nikki Lee Edvin Lynch Christina Rodriguez Chris Burnett Hyunsoo Kim Bijan Berahimi  Pedro Lavin Armando Martinez Celis David M. Davis  Taylor Giali Mitch Cox Crystal Yi Nathalie Sehee Kim Hyoseon Kim

Faculty member Ed Fella also contributed a large number of his legendary posters to the exhibition.

Thanks to all of the workshop participants who donated posters and printed ephemera to the exhibition, as well as the workshop participants. Special thanks to Aaron Winters, Silas Munro, Rachel Ramsay, Troy Patterson, Randy Nakamura, Thea Lorentzen, David Matthew Davis, Michael Worthington, Lorraine Wild, Jeff Keedy, Ed Fella, Gail Swanlund and Caryn Aono.

Small Books From Small Countries: An Impromptu Exhibition at VCFA

Simultaneously, I put together a mini-book exhibition titled “Small Books from Small Countries: A Vaguely Impromptu Exhibition” at VCFA. The criteria for work included was that the books were small in scale and that the countries that the books were from was fairly small in terms of land mass. Each book was accompanied by a text description, as many of the books were not in English. The term “book” is used loosely in the exhibition, as the corpus of works included design journals, magazines, type specimens alongisde actual bound books.

Small Books From Small Countries: An Impromptu Exhibition at VCFA

Descriptions of the books:

文字のカ | The Persistence of Letterforms
平野甲 | Kouga Hirano
Kouga Hirano is a Japanese graphic designer who is known for creating book designs using his unique handwritten letters. Since the 1960s, he has designed more than 6,000 books and worked consistently and closely with an assortment of publishers.  This book is an overview of his highly unique approach to creating custom lettering.

円盤物語 |  Hi-story of the Flying Objects
松田行正 | Matsuda Yukimasa
Matsuda’s Yukimasa is a graphic designer, publisher and writer. He runs the small publishing house Ushiwakamaru, dedicated to publishing his own editorial initiatives. This book is a document of assorted shapes of unidentified flying objects (UFOs) from individual sightings, group sightings and popular culture.

眼球譚 | 月球譚 | Tales of omniscient eyes and moonshining
松田行正 | Matsuda Yukimasa
An index of all-seeing eyes from works of art from history.

et
松田行正 | Matsuda Yukimasa
An examination of assorted symbols, analphabetic characters and alphabetic characters. Includes physical and historical analyses.

Zerro
松田行正 | Matsuda Yukimasa
A compendium of dead languages, mythic languages, ciphers, attempts at orthographic reform, codes and utopian symbologies. (Incidentally, my favorite book in the world.)

千社札 | Senjyafuda
Anonymous
Senjyafuda are stickers or scraps of paper posted on the gates of shrines and Buddhist temples in Japan. The stickers bear the name of the worshipper, and can be purchased pre-printed with common names at temples and shrines throughout Japan, as well as at stationery stores and video game centres. Senjyafuda were originally made from wooden slats, but have been made of paper since the Edo period. Senjyafuda are made from printed paper and are rarely made traditional by wood block prints or ukiyo-e.

This book is an excellent overview of senjyafuda from history, notably the use of color (contemporary ones tends to be monochromatic).

Typographic Suite
白井敬尚 | Yoshihisa Shirai
Acting art directors and designers of Idea Magazine, Shirai Yoshihisa’s studio team are typographically rigorous, formally evocative, and gentle in treatment of ornament. Projects for Robundo, Ryobi, Seibundo Shinkosha and many other private concerns make up their body of work, celebrated in the recent booklet Typography Suite and the accompanying exhibition of the past two decades of graphic design work. Shirai is faculty at Musashino Art University.

바른지원체 | The Making of a Hangul Typeface: Barun Jiwon
이지원 | Jiwon Lee
Korean design educator Jiwon Lee published this booklet about Barun Jiwon, his attempt at resolving the relationship between Korean Myung Jo structural typefaces and Western humanist typefaces. The resulting type specimen book shows Lee’s  adventurous spirit in attempting to infuse the Korean visual orthography with increased readability and legibility, simultaneously creating the world’s first truly humanist Korean typeface.

CCArt Sans
Eiichi Kono & Hilary Knight
Eiichi Kono is the designer of Johnston Underground Sans, the official typeface used for the iconic identity of London Transport. Within the CCArt Sans project, Kono extends his years of study of the lettering and typefaces and Edward Johnston and Eric Gill and balances them with the formal weight and poise of Meiryo, a typeface designed by Kono for Microsoft in conjunction with Matthew Carter. This specimen book shows the full range of Latin characters for CCArt Sans, the house typeface of the Center for Contemporary Art in Kitakyushu, Japan.

The Working Practices of Barney Bubbles
Paul Gorman
A look into the pre-digital design realm of Barney Bubbles (nee Colin Fulcher), one of the graphic designers who helped craft the aesthetic of British psychedelia, pub rock, proto-punk, punk and post-punk. A look into Bubbles’ melancholy world.

The National Grid #6, 7 & 8
Luke Wood & Jonty Valentine
Three issues of the self-published contemporary New Zealand graphic design journal The National Grid. Within, issues of Modernism, sovereignty, national identity, design history, design criticism and graphic design education research are neatly examined and discussed from a personal point of view. The National Grid is writing the history of New Zealand graphic design and is an immensely important publication.

Small Books From Small Countries: An Impromptu Exhibition at VCFA

UIデザインの手引 | University Identity Design Guide
東京農業大学(農大) | Tokyo University of Agriculture (Nodai)
A goofy booklet showing the wildly disparate identity of the renowned Tokyo University of Agriculture. Wonky, yet charming.

If It Could Love
Chris Ro
A self-published exhibition catalog/poetic text that examines the culture of self using expressive typography and an exploration space. Within are two double-sided posters that explore these notions further. Vital, sad and ruminating, Ro, a Korean American graphic designer and design educator, examines our collective obsession with representation in society today.

 Typographics Ti: #263 | Type Trip to Seoul
A small independent publication from Tokyo, this issue is an overview of typographic work from Seoul, Korea.

온돌 | A Few Warm Stones (Ondol) #1 & #2
Better Days Institute
Led by Chris Ro, Ondol is a contemporary examination of Korean graphic design culture in journal form. The writers, designer and editors are students of Kookmin University in Seoul. The Ondol team is helping to write the history of Korean graphic design, as well as how contemporary Korean design practice is taking form.

Too Much: Magazine of Romantic Geography #2
Yoshi Tsujimura, Audrey Fondecave & Cameron McKean
Too Much is a publication dedicated to exploring contemporary notions of fine art, design and architecture. It is odd, as it is a small-run magazine from Tokyo published in English.

The text descriptions were accompanied by a number of essays by and about assorted publications included in the exhibition.

 

06.09.2013

Cern by Ian Lynam

Cern is a family of 40 weights of neutral, yet formally nuanced grotesk typefaces that takes inspiration from Helvetica, Akzidenz Grotesk, Univers and the original metal types from Switzerland, yet had a slightly larger x-height for more pronounced legibility.

Cern font family

Each weight is designed to be highly readable in print and on-screen. The italic variations are true italics, having a single-storied italic a and have been designed for smooth, fluid reading and text-setting. Lovingly spaced and kerned, the Cern family works equally well for text typesetting and for display design work.

Cern typeface family by Ian Lynam

Sans serif fonts, no matter how neutral they feel, are ultimately formally nuanced. I wanted to add to this legacy, but bring in elements of the grotesks of the Stephenson Blake foundry to add humanizing features, creating a formal and conceptual interplay to delight the senses.

Cern digital typeface

Cern is the second family of typefaces that explores notions of nuanced neutrality and a Barthesian exploration of a fictional Switzerland that pervades contemporary design, disconnecting sign, symbol and meaning. Cern is the second family of typefaces in this larger project, following the release of the Vaud family.

The entire Cern family, 40 fonts, is available for a limited time for $49.00 from Wordshape and Creative Market.

06.08.2013

idea 359 Karel Martens X Ian Lynam

I edited an interview with Dutch designer and design educator Karel Martens for issue #359 of Idea.

Karel Martens X Ian Lynam

The feature has a swank halftone pattern printed on transparent mylar overlaying another halftone pattern printed on the paper underneath, creating a dynamic, tactile moiré pattern.

Le Pigeon Cookbook from Ten Speed Press

Gabe Rucker, Lauren and Andy Fortgang and Meredith Erickson of Le Pigeon have a new cookbook coming out on Ten Speed Press, the cover of which bears the logo I designed for them nearly a decade ago.

Vaud by Ian Lynam

Our 40 member sans serif family Vaud is on sale for the next month over at Creative Market – all 40 fonts for $49!

Troy Patterson VCFA

I gave a presentation at PechaKucha Night in Tokyo last week about the amazing educational setting and experiences at Vermont College of Fine Arts.  It is now online over at the PeckaKucha website.

05.22.2013

This great book just came out which uses Kirimomi Swash Italic for the cover and display titling.

Scratching the Tiger’s Belly is published by Eberhardt Press, one of our favorite printing companies and publishers, situated in lovely Portland, Oregon!

TypeCon 2013

Speaking of Portland, we are pleased to announce that Ian Lynam Design is one of the sponsors for this year’s TypeCon, America’s biggest and most fun typography and type design conference. The conference will be help in Portland from August 21st to 25th this year. With luck, we’ll see you there!

SideCore Tokyo exhibition

We just finished up a hybrid poster/publication for SideCore, a series of fine art exhibitions curated by Egaitsu Hiroshi for Young Art Taipei, on sale at the festival now.

WPA Tour PDX

Also hot off the press is a redux of an old poster for KnowYourCity and the Portland Art Museum.

The Vine, Tokyo Wine Distributor

We just launched the new website for The Vine, a Tokyo-based wine importer and distributor. No mere website, The Vine’s new system is bilingual, handles inventory, shipping, ordering, invoicing and a ton of other fancy stuff under the hood!

More projects for The Vine are underway and will be appearing on shelves of Japan’s finest wine shops shortly!

Ian Lynam at PechaKucha Night Tokyo!

Finally, I will be speaking at PechaKucha Night Tokyo next week. Details here! I’ll be speaking about design education now. Like, right now. (I’m also going to be doing my usual schtick of giving away a ton of free stuff.)

04.09.2013

Slanted at Centre Pompidou

There will be a launch exhibition and lecture regarding the new issue of Slanted at Paris’ Centre Pompidou on Saturday April 13th at 4pm.

Further info:
Librairie Flammarion
Centre Pompidou
19, rue Beaubourg
75004 Paris

04.04.2013

Slanted Magazine 21

I have a new essay in Slanted #21 about Cuba and Cuban graphic design, as well as a feature of Cuban street photography by myself and Andrea Tinnes shot in Havana and Trinidad.

03.28.2013

Vaud - A Family of typefaces by Ian Lynam

We just released the new Vaud family of typefaces.

Vaud is a family of 40 weights of neutral, yet formally nuanced grotesk typefaces that takes inspiration from Helvetica, Akzidenz Grotesk, Univers and the original metal types from Switzerland, yet had a slightly larger x-height for more pronounced legibility.

Each weight is designed to be highly readable in print and on-screen. The italic variations are true italics, having a single-storied italic a and have been designed for smooth, fluid reading and text-setting. Lovingly spaced and kerned, the Vaud family works equally well for text typesetting and for display design work.

For a limited time, the entire family of typefaces is available for $49 via YouWorkForThem.

Vaud - A Family of typefaces by Ian Lyman

The entire family is comprised of a range of weights and a matching display family that features rounded terminals for large-scale display work.

Vaud - A Family of typefaces by Ian Lynam

Sans serif fonts, no matter how neutral they feel, are ultimately formally nuanced. I wanted to add to this legacy, but bring in elements of the grotesks of the Stephenson Blake foundry to add humanizing features, creating a formal and conceptual interplay to delight the senses.

Vaud - A Family of typefaces by Ian Lynam

Vaud appears neutral in tone, has an enlarged x-height, works great on-screen and in print.

Vaud - A Family of typefaces by Ian Lynam

The lighter weights are slightly slimmer than the regular and bold weights to give the typeface more of a vertical feel, inviting readers’ to rapidly read typeset text with a maximum of contrast and a minimum of optical dazzle.

The entire family was given rigorous testing using Craig Mod’s Bibliotype html-based book layout system for on-screen rendering checks and innumerable print proofs using actual text (not Greek) in InDesign.

The Vaud family is hugely diverse and will work well in a variety of contexts and media.

The complete family is on sale now at YouWorkForThem.

03.18.2013

There’s been a date, time and location change:
Idea Magazine’s Editor-in-Chief Kiyonori Muroga and I will be giving a lecture and week-long workshop at CalArts. The lecture will be on Thursday April 11th at 7pm in the C-Art classroom.

03.10.2013

Be Bespoke Tokyo

We recently finished up a redesign of BeBespoke’s website – webfonts, some snazzy javascript and a bunch of wonderful imagery.

03.04.2013

Idea Magazine’s Editor-in-Chief Kiyonori Muroga and I will be giving a lecture and week-long workshop at CalArts. The lecture will be on Thursday April 11th at 7pm in the C-Art classroom.

02.23.2013

Lynam Lost Words

I contributed to Karen To’s Dead Words project recently. I was asked to typographically illustrate the  term “ebaptization” – a retired word declaring that someone has not been properly baptized from 1659.

Within, I used Queen Mary’s secret cipher to spell out the word – the language of a woman who changed a church, and in a sense, both de- and un-baptize it.

A dead word rendered in a dead language.

SketchCaslon Italic

We released a new typeface this week – SketchCaslon Italic – a hand-rendered display typeface with its formal base in the structure of the types of William Caslon.

One can obtain SketchCaslon Italic from MyFonts and YouWorkForThem.

02.02.2013

Hifana logo

I found some unused/underused logos I designed for Tokyo hiphop duo Hifana lurking in the crates yesterday – here, a decorative, imperial take on Henk Krijger’s Raffia.

Hifana Logo variation

A Thai ornament-inflected logo using a Charles Burns shading treatment.

Connect

An unused logo variation for Hifana’s “Connect” LP – the best of the bunch.

 

01.24.2013

Frame Magazine

You can see our recent work in the latest issue of Frame Magazine.

01.11.2013

A collaboration with Klein Dytham architecture. Ian Lynam Design created the interior graphic design scheme for Google’s new floor of offices in Roppongi.

Hundreds of meters of custom wallpapers with bespoke graphics were designed that crossed six complementary graphic themes:

• a stylized koi pond for the office entrance

• an abstracted, hyper-pop alternate Tokyo for meeting rooms

• garden brickwork with emphasized decorative elements revealing the hidden gardens of Tokyo for hallways and common areas

• sedate gardens for the relaxation and wellness area

• a modular Tokyo for the technical services area

• windows into the Tokyo of the future created in a psychedelic take on 60s and 70s science fiction book covers

We also designed a trilingual room signage system using an alternate, but complementary graphic language.

Thanks to everyone at KDa and Google for making it such a terrific finished project!

All photos © Koichi Torimura & Toshiki Senoue.

Read more about it in the new “Spaces + Places” section of our website, along with another recent project for Google.

01.09.2013

Fred Armisen

Fred Armisen and our logo for LePigeon in Episode 1 of Season 3 of the TV show Portlandia.

Chef/partner Gabe Rucker makes a brief appearance, as well!

01.08.2013

Asia Pacific Design Awards

I just received the catalog for the 2012 Asia Pacific Design Awards in the mail from Sandu Media in China. It’s a mammoth tome – over 500 pages, gilt-edged with blind debossed covers.

Asia Pacific Design Awards

I would like to give a shout-out to all of the folks in Japan that I selected as a judge for the Asia Pacific Design Awards this year…

Asia Pacific Design Awards

… but none more than Yuki Masuko, one of the hardest-working graphic designers out there and a fabulous, inspiring individual.

APD 2012 Ian Lynam

I wrote an essay for the book and am including it here. It expounds on certain themes from recent pieces I’ve written, as well as taking aim at certain trends within graphic design which I find problematic. You can read it in full here.

 

01.02.2013

Our type foundry Wordshape is currently doing a massive promotion via YouWorkForThem – 25% off all fonts across the board!

12.31.2012

Above is a new tee shirt design for CalArts Graphic Design Department‘s upcoming tee shirt exhibition and sale. This one’s a shoutout to the assorted folks who have taught at the school throughout the years (as well as design educators everywhere) who constantly catch shit from students while simultaneously whipping them into some of the best designers out there. I’ve said it once and I’ll say it again: I am delighted to pay my student loan bill every month. My time earning my MFA at CalArts was some of the best of my life. The folks I studied under taught me so much.

This shirt, coupled with a new essay on Japanese public art for UK publishing house Quarto’s upcoming book on global public art that I banged out today, made for a great way to round out the year. Yuki, Paul and I send our best wishes to all of our clients, collaborators and friends for 2013 – we hope this upcoming year is your best yet!!

12.18.2012

Upswell

Literally just launched: the brand spanking new website for Upswell, one of our absolute favorite clients. Period. The site is a database-driven, javascript-snazzy portfolio for this amazing up-and-coming Portland design firm. We believe in them.

12.17.2012

John Fluevog is using our typeface Kirimomi Swash Italic for its national holiday campaign.

12.11.2012

Kiyoshi Awazu

An older essay just got a digital reprint over at Néojaponisme.

12.10.2012

I wrote and designed a ton for the latest issue of Idea – approximately half of the issue. Click here to read all about it!

 

12.05.2012

TUJ video lecture

I did a lecture at Temple University Japan in Amanda Kaiser’s Journalism class on the use of video in editorial contexts. Fun stuff! The above slide was a cautionary notice for thinking about video and sound in the Japanese urban environment.

12.01.2012

Doodle 4 Google Japan

The Doodle 4 Google event we designed went off surprisingly well!

40 happy kids won awards for their visions of the world 100 years from now.

The kids filing in…

Getting briefed prior…

and winning stuff!

Thanks so much to the kids, the amazing folks at Google and all of our friends who helped support this initiative!

In non- Google news, I’ve been given the honor of judging this year’s Typodarium along with type design & lettering legend Ed Benguiat, wünderkind Lucas de Groot, designer Boris Kochan and type design extraordinaire Veronika Burian.

Also, an interview I did five years ago or so with type designer Akira Kobayashi for the late PingMag is up over at Type Is Beautiful, translated into Chinese.

11.30.2012

We have created the full experience (set design, stage design, animations, lighting design, print design and sound design) for Google’s Doodle 4 Google event in Tokyo, happening on Sunday December 2. Check it out on Google+ here!

11.23.2012

I have a piece of writing in the latest issue of Slanted, out now.

We also did a bit of custom font work for the lovely folks at Mistress this month.

11.15.2012

I have some work in the latest issue of RRR.

11.15.2012

My essay “With A Spatula in Her Hand” was just published on the website for Modes of Criticism, a new design criticism magazine. I will have another essay in the inaugural print issue, out soon.

11.09.2012

Ian Lynam PechaKucha Night

PechaKucha Night Tokyo X Tokyo Design Week just finished up a few days ago – one of the biggest PechaKucha events ever! 1,000 folks hanging out and listening to presentations by designers from all over the world.

Ian Lynam Pecha Kucha Night

For us, one of the most exciting things was seeing our logo design for PechaKucha Night projected h-u-u-u-u-ge across the interior of a geodesic dome.

Ian Lynam Pecha Kucha Night

R. Buckminster Fuller is one of our heroes and the geodesic dome one of the most appealing structures in architecture, so to have our design applied to one, even a temporary one, was fantasic.

Photos by the amazing Michael Holmes Photo.

11.04.2012

YACHT wireframe logo

I designed a new “wire” variant on the YACHT logo for Jona and Claire today for the band’s tenth anniversary, oddly enough occuring on my 40th birthday. Flyer below not by me.

YACHT: Jona & Claire

11.03.2012

NASA Hubble Space Telescope: New Views of the Universe

Our new ad campaign for NASA and The Washington County Museum launched this month. Hubble Space Telescope: New Views of the Universe opens on November 17.

Michael Holmes Photo

We’ve been knee deep in a fair amount of identity work lately, as well. We crafted up a logo and identity system for Michael Holmes Photo of Tokyo.

Le Comptoir Occitan

Just finished, as well, is the identity and environmental design for Le Comptoir Occitan, a new Basque restaurant in Daikanyama within Hillside Terrace. More photos coming soon.

LCO

10.22.2012

I won an Asia Pacific Design Award again. Whoo! And I didn’t even pick myself!

10.03.2012

VCFA - Vermont College of Fine Arts

Some exciting news: I am joining the faculty at Vermont College of Fine Arts, teaching in their MFA graphic design program as of October. The university is a low-residency program and I’ll be teaching both in Vermont and from home base in Tokyo.

09.25.2012

Japanese Graphic Design: Not in Production, a new piece of design criticism I wrote has been posted at Néojaponisme. It will be followed by six supplementary posts showing the best that Japanese contemporary graphic design has to offer.

09.17.2012

Now bilingual!

One small, subtle design change has been added to our website, but one that is huge and took a whole lot of work: ianlynam.com is now bilingual in English and Japanese.

Giant thanks to Yamane-san for plowing through miles of project translations, consulting with us on arcane typographic terms and just generally being amazing. Equally gigantic thanks to Yuki for collecting project text, editing through the sweaty summer, coordinating the whole project and making it all go smoothly. Go team!!!

宜しく!

09.09.2012

One of the most exciting projects we’ve been working on as of late is developing the identity and user interface/user experience for Videogram, a brand spanking new integrated iOS app and web app created by the amazing team at Cinemacraft.

Videogram allows you to convert your personal iOS video, YouTube and Vimeo videos to interactive sequential art (comics!). Videos become sequences of still which you can click through to view video.

Revolutionary stuff, debuting this weekend at TechCrunch in San Francisco!

Working on Videogram has been an amazing iterative process – nothing is written in stone and everything is up for grabs!

10.08.2012

I will be lecturing on October 17 and doing a workshop on October 19 at the Vermont College of Fine Art for their MFA program in Graphic Design.

09.05.2012

I have a new essay up on Néojaponisme called “Candid Thoughts on the 2020 Olympic Logo”.

09.04.2012

Korea! I’m going to be lecturing on September 25 at Hongik University and on September 26 at Kookmin University, both in Seoul. More info soon!

09.20.2012

I contributed a 14-page standalone section to the latest issue of Germany’s Slanted  magazine called Japanese Graphic Design: Not In Production. This feature stands as a critical response the current graphic design retrospective of the past ten years Graphic Design: Now In Production, Zombie Modernism 2.0 and my desire for ambiguity and contradiction in graphic design, not simplistic formula-based design.

08.24.2012

Washington County Museum

We have a couple of awesome new clients – notably the Washington County Museum…

Nasa

and the National Aeronautics and Space Administration (NASA)!

08.22.2012

Hype For Type

Our fonts are now being distributed by the UK’s Hype For Type.

08.21.2012

Sound and Vision by Masayoshi Sukita

I pitched in on the writing and editing of the definitive monograph of Japanese photographer Masayoshi Sukita, along with Kiyonori Muroga of Idea. Sukita’s work chronicles much of rock and roll history from the late 1960s through today, with a heavy focus on the work of David Bowie, Yellow Magic Orchestra, Joe Strummer and the circle of friends surrounding Jim Jarmusch.

Lovingly designed by HeQuiti Harata, it’s a must-get.

08.07.2012

Ian Lynam at TypeCon 2012

I would like to extend a giant round of thanks to all of the attendees of our lecture on the work of Oswald Bruce “Oz” Cooper at TypeCon in Milwaukee. It was such a tremendous response and so appreciated.

If you’d like a copy of the text that the lecture was based on, you can order a copy of Idea #339 here from Wordshape.

Our studio has created revivals of many of the typefaces covered in the lecture. You can check them out here from Wordshape, here from MyFonts and here from YouWorkFromThem.

Thanks to the Society of Typographic Aficionados and the TypeCon board for having us come present. TypeCon2012 was amazing!

06.29.2012

logolicious

I have a ton of work in the new book Logolicious from HarperCollins.

06.29.2012

Ian Lynam X Ecopop

My recent poster series with Chad Rea for Electricity Showroom is now available via Ecopop.

06.19.2012

Ian Lynam in Eye Magazine

Got a nice little shoutout in Eye Magazine’s blog today. Whoot!

06.19.2012

Ian Lynam lecture at Otis College or Art & Design

I’ll be doing a piped-in lecture at Otis College of Design on Wednesday at 3pm PST. (Bum rush the show!)

06.16.2012

While watching Season Three of Futurama, we discovered that the folks who made the show used a handful of Wordshape fonts, most noticeably Cooper Black Swash Italic here and there throughout. Exciting to find your work out in the televised world!

06.13.2012

Ian Lynam in Slanted Magazine

I have a new feature in the latest issue of Slanted Magazine– an essay about wayfinding and mortality.

I also edited Toshiaki Koga’s new feature about the work of Zak Kyes in the latest issue of Idea.

06.12.2012

WebInk from Extensis

Our fonts are featured over at WebInk this month.

05.30.2012

You Work For Them

Our Wordshape fonts are now being distributed by YouWorkForThem- the first typeface offerings are available here.

05.29.2012

We’d like to extend a giant round of thanks to all of the individuals we have had the opportunity to work with throughout 2012 so far. It’s been a really, really exciting first two quarters and we’re working on some of the most engaging projects of our careers, both large and small. Thanks, one and all!

05.27.2012

We just created a new website and identity for BeBespoke, a new experience atelier business in Tokyo.

05.25.2012

Ed Fella

I’m currently working on a collaborative poster series with master of disaster Ed Fella in which we make visual form go head-to-head. Exciting times!

05.24.2012

Bang your head! Some of Wordshape’s most popular fonts are available at a 50% discount this month from MyFonts! Perfect for music packaging, identity work and movie packaging/titling, the “Metal Militia” packs the visual equivalent of a Marshall stack! Check out the sale here!

05.24.2012

We’ve undertaken an exciting new project with our pal Jared Braiterman PhD of Tokyo Green Space that catalogs over 500 Japanese gardens outside of Japan for Nodai, the Tokyo University of Agriculture.

We’re really excited to be working with Jared. He is currently a Visiting Lecturer at Tokyo University. Jared is a Harvard and Stanford trained design anthropologist who has worked in university education, start-up consulting, social media, and urban planning in Japan, the Americas, and Europe.

05.23.2012

OPEN Skateboards

Open Skateboards has a few team decks out now on sale.

05.11.2012

I’ll be presenting tonight at the Magazine Library special edition of PechaKucha Night in Daikanyama. The topic: A Dozen Publications That Changed My Life.

05.08.2012

Néojaponisme

We’ve relaunched our web journal Néojaponisme with @font-face integration, a bespoke mobile theme and enhanced readability.

05.07.2012

Cameron McKean and I did a lengthy cross interview for the latest issue of 360 magazine from China- out soon.

04.29.2012

We put up a small mobile-friendly site redesign for our pals Upswell in Portland recently.

04.27.2012

We just finished up an identity for the P.INC Patio, a new summer restaurant in Penticton, British Columbia in Canada that will open in a few scant months…

04.26.2012

Smythe Sans and a whole bunch of other new Wordshape fonts are now available via Fontspring, the indie webfont provider alternative.

04.24.2012

Kirimomi Swash Regular & Italic

Last year we released the font Kirimomi Swash Italic, which was a runaway smash hit- it’s a free font whose creation was sponsored by Onitsuka Tiger. We just reached 35,000 downloads from our assorted distributors, which, in my book, is total brutality. So, to celebrate, I put together an accompanying Jannon-inspired Roman serif that is available now from MyFonts.com.

More here!

04.21.2012

I’ll be giving a presentation on the secret life of American type designer Oswald Bruce Cooper at TypeCon 2012 in Milwaukee this year. The conference is from July 31st through August 5th. Yuki and I will both be in attendance. Come hang out with us!
More at the Typecon website.

04.12.2012

Ian Lynam identity design

We recently designed new business cards for the three of us, and were paid the ultimate print design compliment in return- our business cards are some of the featured items over at FPO this week. Huzzah!

04.09.2012

We got a great huge package of zines in the mail from the intrepid Elly Blue of Taking The Lane zine fame this week. It’s so great to see our fonts put to such great use!

04.08.2012

Redskins poster

New poster design for my band Redskins.

04.08.2012

Also, I was recently interviewed by the nice folks over at ID Institute in Germany. Read it here.

04.08.2012

I co-edited and contributed a few essays to Idea Magazine‘s new feature about New Wave/PostPunk independent publications, on newsstands any day now…

One is called “Dot Gain” and is an introduction to independent publications in the late 70s and the early 80s.

The second is a hybrid essay/interview with WET magazine founder Leonard Koren about WET and his life and times.

Special thanks to Mark Dytham and Astrid Klein for their assistance in researching the essay!