I recently participated in the XD24 International Design lecture roundtable and workshop at Hongik University, initiated by faculty member and amazing host Chris Ro.
I did my usual song and dance – this time about socioeconomic foundations and graphic design foundations.
Included were discussions of Fordism and Modernism,
as well as a suggestion as to socioeconomic order in the startup 2.0 age,
and a definition of graphic design in the startup 2.0 age.
The lecture was half-dystopian / half-utopian, as I see how most people see this Post-PostModern age as being. The other speakers were my fellow VCFA faculty Yoon Soo Lee and Ziddi Msangi, as well as Apple type designer Min Bon. The roundtable was moderated by Jiwon Lee, one of my favorite, favorite human beings.
Kwong Nayoung and Kkong Mira (above) provided amazing translation into English AND Japanese. Jungwook Kim provided general assistance.
The lecture was preceded by a workshop about oppositionality as a base methodology for constant engagement (and thus actual creativity and innovation) in graphic design.
Students were asked to create a visual kit-of-parts that was comprised of 25 formal elements (color, pattern, form, image, texture, type, and lettering) based on three speculative potential future vocations unreliant on the laws of physics.
They made weird stuff.
And they made interesting stuff.
But most of all, they made a lot of stuff, and they (including faculty member Chris Ro) stuck around for an extra six hours to ensure that everyone got a full critique. (Bonus: Chris and I bought pizza and beer for everyone.)
And then they mimicked the supernatural beings in Michael Jackson’s Thriller, with Chris being the Gloved One. It was, in short, awesome.